On Nov. 16, Opéra de Montréal (OdeM) took up the challenge of presenting a little-known work from the French repertoire for the first time in its recent history. Of the entire production, conductor Jacques Lacombe was the only one to have performed it before. It sure speaks for the rarity of this Hamlet by Ambroise Thomas. But what a discovery, what an abundance of musical themes, what genius of orchestration! Without analysing the score in detail, we can legitimately be enthusiastic about the saxophone solo at the start of Act II, Scene 2, a gesture as astonishing as it is…
Browsing: Romantic
The 2024-25 season marks the 40th anniversary of Les Violons du Roy. Founded by Bernard Labadie in 1984, the Quebec City chamber orchestra first made a name for itself with concerts and recordings of Baroque repertoire, before tackling a whole range of works from different eras—from classical to contemporary to Romantic—over the past few decades. The programming of this new season is a tribute to the diversity of the ensemble’s repertoire. Les Violons du Roy opened its current season with Mozart quartets and quintets. Next came Bach cantatas with countertenor Hugh Cutting, followed by a touring Handel program with the…
Toronto Mendelssohn Choir under Jean-Sébastien Vallée delivered a hugely affecting Verdi Requiem at George Weston Recital Hall.
In the more sentimental pieces of the Prokofiev set on this new album, Bezhod Abduraimov melts the listener’s heart like spring snows.
On Jan. 16, the Montreal Symphony Orchestra delivered a sumptuous performance of Szymanowsky’s Violin Concerto n.1 op.35 and Mahler’s Symphony n7 in E minor.
Pro Musica presents a recital by virtuoso pianist Fazil Say as the headliner of its first concert in the Cartes Blanches series, January 21 at Salle Pierre-Mercure.
Replacing Michael Tilson Thomas this week was American conductor David Robertson, who made his Toronto Symphony Orchestra debut.
Composer Gregg Kallor’s new opera, Frankenstein, premieres at Arizona Opera on Friday the 13th…. Kallor has rightly been commended for his fusion of classical gestures and jazz inflections in works that range from solo piano outings to highly accessible art songs to chamber music to full orchestral works. He also has a strong affinity for literature –notably but far from exclusively for works that smack of the gothic. Kallor is the creator, for instance, of a tour de force one-woman setting of Poe’s “The Tell-Tale Heart” (check Poe’s story — the gender of his psychopathic protagonist is indeterminate), scored for…
Concerto Antico: à travers un miroir fumé Jaap Nico Hamburger, composer; Orchestre classique de Montréal; Ensemble Caprice Leaf Music, April 2023 Jaap Nico Hamburger brilliantly explores centuries of musical history in a powerful 11 minutes on Concerto Antico. Hamburger suggests in the album’s booklet that just as Nostradamus “stared into a smoke covered mirror to look at the future,” Hamburger himself is “star(ing) into the mirror of our times to look at the past.” Split into five concise tracks, Concerto Antico addresses modern, romantic, baroque, and classical eras through a variety of styles. An airy flute conjures the image of…