Every holiday season, Handel’s Messiah comes to town. Not once, not twice, but many times. With all the options, how can an audience member decide which one to choose? On Dec. 22, ArtChoral and Ensemble Caprice delivered an inspiring performance of Handel’s Messiah. It seems that Juno award-winning conductor Matthias Maute takes avid delight in showcasing how old works can always sound new, so long as they are performed with technical precision, intentionality, and a lot of joyful energy. When Messiah season comes around next year, audiences would do well to consider ArtChoral’s version. What you missed? A Baroque oratorio,…
Browsing: Choral
Amidst the bustle of the holiday season, Chor Leoni ushered audience members into the serene atmosphere of St. Andrew’s-Wesley United Church for their annual Christmas concert on Dec 19. The space was lit with reds, blues, and purples while golden lanterns hung from the ceiling. The beauty of the church was highlighted under this unique lighting, creating an almost fantasy effect within the large arches. Lighting designer Keagan Elrick had set the stage for the magical evening welcoming Chor Leoni’s largest-ever opening night audience. The first song of the evening was “The Long Night” arranged by founding member, Artistic Director,…
As the holidays approach, George Frideric Handel’s Messiah begins to line concert programs around the world—and so, Orchestre classique de Montréal presents its annual performance of the great oratorio in one of the city’s most fitting venues: Saint Joseph’s Oratory. There, OCM, Filles de L’île women’s choir, Chantres Musiciens men’s choir, and four Canadian soloists presented 44 movements from the original piece under the baton of Israeli-French conductor Roï Azoulay. Though originally written for Easter, the English oratorio has become synonymous with Christmas. It details the birth and death and resurrection of Jesus Christ despite the fact the majority of…
Performances of Handel’s Messiah at Montreal’s Notre-Dame Basilica had been an annual tradition of the Montreal Symphony Orchestra up until about 12 years ago when its artistic director Kent Nagano did away with Handel in favour of Bach. Orchestre Métropolitain (OM)’s artistic director Yannick Nézet-Séguin grew up with this tradition as he announced before the concert from the stage, and this is the second year in a row that OM has presented Messiah at the Basilica to a full house. Nézet-Séguin hinted that this will become a tradition, so hopefully, it will be an annual event. What you missed? Dec.…
West Early Music Vancouver Dec. 22, Vancouver Under the direction of Alexander Weimann, Early Music Vancouver will present a pairing of “Festive Cantatas” featuring Gloria in excelsis Deo cantata by J.S. Bach and Missa Nativitatis Domini by Czech composer Jan Dismas Zelenka. www.earlymusic.bc.ca Vancouver Chamber Choir Dec. 12, 13, Vancouver Peace and tranquility is the theme of the Vancouver Chamber Choir’s holiday concert entitled “Christmas by Candlelight.” Under the direction of Kari Turunen, the choir will present a large selection of holiday classics and new works, including Laura Hawley’s Mary called it an angel and the world première of Chris…
Pro Coro Canada is a professional chamber choir based in Edmonton, Alta. The 24-voice ensemble was founded in 1981 by Michel Marc Gervais. Today, the choir is directed by Michael Zaugg, and has a strong commitment to community engagement exemplified in part through their internationally-renowned composer-in-residence and emerging artist programs. Indeed, presenting new music and promoting artistic exploration is a core piece of the choir’s mission, and they have commissioned dozens of new works in the past years, the majority by Canadian composers. Although they mainly perform for local Edmonton audiences, their work is now available across Canada through increased…
With the Christmas season fast approaching, that holiday staple, Handel’s Messiah, is being performed everywhere. Tafelmusik is no exception, and its singalong version is a perennial holiday tradition in Toronto. This year, however, Tafelmusik will also present a much less ubiquitous seasonal work: Johann Sebastian Bach’s Christmas Oratorio. Composed in 1734, the Oratorio tells the story of the nativity, from the birth of Jesus through to the arrival of the Three Wise Men. It comprises a series of jubilant choruses, tender chorales and introspective solo arias, with recitatives sung by a tenor Evangelist to provide the narrative. Bach uses chorales…
Presenting Mozart’s Requiem is a tradition of the Société philharmonique du Nouveau Monde. Conductor Michel Brousseau, who will be at the helm of three choirs and the orchestra at Montreal’s Notre-Dame Basilica, tells us the story behind his programming of this repertoire staple. “It’s a recurring event that began some 20 years ago with Jean-Pierre Guindon. Not only was he conductor of the Notre-Dame Basilica choir and artistic director of the sacred music festival with the Quebec Choral Alliance, he was also my predecessor at the helm of the Chanteurs de Sainte-Thérèse. He asked me if I wanted to take…
In June 2024, choral conductor Simon Fournier was awarded the Prix Jean-Pierre-Guindon by the Quebec Choral Alliance. This award, presented annually by an independent committee, recognizes a choral conductor’s exceptional dedication to the cause of choral singing for at least 25 years. Simon Fournier, who has been involved in the world of choral singing since his days as a chorister with the Petits chanteurs du Mont-Royal, accepted the award with gratitude and humility. “The recognition of my peers, of several colleagues who took the time to congratulate me, touched me deeply and motivates me to continue to surpass myself. It’s…
Art Choral, Vol. 1: Renaissance Ensemble ArtChoral; Matthias Maute, artistic director ATMA Classique, 2024 Ensemble ArtChoral’s newest installation to its collection spanning the history of choral singing returns to the origins of polyphony in Art Choral, Vol. 1: Renaissance. Under the direction of Matthias Maute, the ensemble performs early choral repertoire by composers from across Europe, including Cristóbal de Morales, Josquin des Prés, and William Byrd, to name a few. The album opens with No. 5, Adoramus te, Christe from Palestrina’s Recueil des morceaux de musique ancienne. Given Palestrina’s role in creating polyphonic technique, ArtChoral’s expert use of the push…