CD Review | Quatuor Cobalt, Reflets du temps

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Reflets du temps

Quatuor Cobalt: Guillaume Villeneuve and Diane Bayard, violin; Clément Bufferne, viola; François Leclerc, cello.

GFN Classics, 2025

Already known for their large-scale concerts, GFN Productions have recently broken into the recording world. For this new release on the GFN Classics label, they called on renowned producer Carl Talbot. The result is an intimate album in which the chemistry between the musicians is palpable.

The recording’s title refers to the band’s “historically informed” approach. For their debut album, Quatuor Cobalt’s first violin, Guillaume Villeneuve, and his accomplices play on period instruments, taking us through several periods as if we were there, starting with the century of Mozart. The ensemble performs Maddalena Lombardini Sirmen’s Quartet in B-flat major, Op. 3, No. 2, published around 1769. To an ear accustomed to the classical style, this work offers nothing truly innovative. It does, however, offer some fine violin passages in thirds with playful cello in dialogue, testifying to the quartet’s musical understanding.

Another century, another composer. Fanny Mendelssohn, the best-known of the three composers on this disc, is represented by her Quartet in E-flat major, H.277. Intimacy once again prevails. The instrumentalists exchange musical lines and answer each other in close dialogue. Particularly noteworthy is the Allegretto, composed in a highly dynamic fugal style. In the faster moments, however, persistent string-rubbing in the violins prevents a clean, full sound.

The atmosphere changes with Alicia Terzian’s Tres piezas for string quartet, a choice that contributes greatly to the album’s originality. The play of textures in the high register and the abundance of incisive pizzicati make this a captivating work. We would simply have liked more bite in the pianissimi to better highlight the score. The final section of Terzian’s cycle brings Reflets du temps to a fiery close. An ideal conclusion.

Translation: Madeline Boldt

This page is also available in / Cette page est également disponible en: Francais (French)

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About Author

Justin Bernard est détenteur d’un doctorat en musique de l’Université de Montréal. Ses recherches portent sur la vulgarisation musicale, notamment par le biais des nouveaux outils numériques, ainsi que sur la relation entre opéra et cinéma. En tant que membre de l’Observatoire interdisciplinaire de création et de recherche en musique (OICRM), il a réalisé une série de capsules vidéo éducatives pour l’Orchestre symphonique de Montréal. Justin Bernard est également l’auteur de notes de programme pour le compte de la salle Bourgie du Musée des Beaux-Arts de Montréal et du Festival de Lanaudière. Récemment, il a écrit les notices discographiques pour l'album "Paris Memories" du pianiste Alain Lefèvre (Warner Classics, 2023) et collaboré à la révision d'une édition critique sur l’œuvre du compositeur Camille Saint-Saëns (Bärenreiter, 2022). Ses autres contrats de recherche et de rédaction ont été signés avec des institutions de premier plan telles que l'Université de Montréal, l'Opéra de Montréal, le Domaine Forget et Orford Musique. Par ailleurs, il anime une émission d’opéra et une chronique musicale à Radio VM (91,3 FM).

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