La Scena Online - my/maSCENA

Browsing: La Scena Online

La Scena Online is the digital magazine of La Scene Musicale.Contents: News, Concert reviews, CD reviews, Interviews, Obituaries, etc; Editor: Wah Keung Chan; Assistant Editor: Andreanne Venne
ISSN: 1206-9973

Soprano Lauren Margison and tenor Colin Ainsworth.

Review | Lauren Margison & Colin Ainsworth Shine in OIC Alceste

By Gianmarco Segato on 13 January 2025 Concert Reviews, Opera, Toronto

Although Toronto audiences have experienced memorable Robert Carsen stagings of two operas by Christoph Willibald Gluck in relatively recent seasons (Orfeo ed Euridice and Iphigénie en Tauride, both in 2011), Voicebox: Opera in Concert (OIC)’s Jan. 12th presentation of his Alceste (1767) is a Canadian premiere. Its 1769 preface was a de facto manifesto outlining Gluck’s ideals for operatic reform. The result is an opera stripped bare of virtuosic vocal display that relies on expert articulation of its French text to make an effect. Happily, in soprano Lauren Margison and tenor Colin Ainsworth, OIC had found two exemplars of French,…

TSO conducted by Anja Bihlmaier at Roy Thomson Hall. Photo: Jae Yang

Review | TSO Delights with Dvořák and Mozart Crowd-Pleasers

By Denise Lai on 13 January 2025 Classical Music, Concert Reviews, Orchestral, Toronto

The Toronto Symphony Orchestra (TSO) heralded the new year with two audience favourites: Mozart’s Clarinet Concerto in A Major, K. 622 and Dvořák’s Symphony No. 9 in E minor, op. 95 (“From the New World”). On Jan. 12, the concert opens with the usual choice of a rarely-performed modern piece. Most Toronto audiences, myself included, are unfamiliar with Grażyna Bacewicz, even though she was one of Poland’s most well-regarded composers of the mid-20th century. Her “Concerto for String Orchestra” is her best-known and most-performed piece, and considered a prime example of Polish neoclassicism, showcasing Bacewicz’s style of blending traditional and…

Lebrecht Weekly | Santtu offers imaginative performances of Shostakovich’s Symphonies Nos. 6 & 9 with the Philharmonia Orchestra

By Norman Lebrecht on 10 January 2025 Lebrecht Weekly, Orchestral

Four months ago, I wrote about one of the least satisfying Shostakovich records I have ever heard, a performance where the conductor, a hyped young Finn, skied across the musical surface without penetration or strategic concept. The gloom that overwhelmed me at the onset of a full cycle of symphonies from this unprepared interpreter has since been mitigated slightly by the emergence of a parallel cycle from a Finnish compatriot, Santtu-Matias Rouvali. Turning 40 this year, Rouvali is music director of the Philharmonia Orchestra in London and a long-shot to be the next chief in San Francisco or Los Angeles.…

Death of Tenor Alain Nonat

By Wah Keung Chan on 4 January 2025 Arts Industry, Obituaries, Opera

La Scena is sad to learn of the passing of tenor Alain Nonat on Dec. 31, 2024 at the age of 82. Alain was a good friend of singers and La Scena Musicale. We include below his official obituary and the last article we wrote on Jeunes Ambassadeurs Lyriques (JAL) organized by Théâtre Lyrichorégra 20 (TL20). We offer our condolences to his family. Every fall, young singers from across Canada prepare for auditions and competitions. The rewards are usually cash prizes and recognition. The set of auditions of the Jeunes Ambassadeurs Lyriques (JAL) organized by Théâtre Lyrichorégra 20 (TL20), however,…

Lebrecht Weekly | Admirable Recording of Mahler Pioneers

By Norman Lebrecht on 3 January 2025 CD and Book Reviews, Lebrecht Weekly

The death of composer Alexander Goehr last August reminded obituarists of the vital contributions his refugee father Walter Goehr had made to insular British culture. Walter worked as a house conductor for EMI and for one of the BBC’s weaker orchestras. He is remembered chiefly for giving the 1953 UK premiere of Olivier Messiaen’s Turangalia Symphony, but he also introduced a gamut of novelties from Monteverdi to Mahler, Schoenberg and Stravinsky to Britten and Tippett. The first shock on hearing Das Klagende Lied and the fourth symphony is how intuitively he grasped Mahler’s unpredictable pauses and rhythmic shifts. He makes…

Cast of Koerner Hall's Into the Woods. Photo: RCM/Lisa Sakulensky

Review | Stellar cast enlivens flawed Into the Woods at Koerner Hall

By Gianmarco Segato on 31 December 2024 Concert Reviews, La Scena Online, Opera, Popular Music, Toronto, Vocal

The nearly 40-year-old musical Into the Woods, with music and lyrics by the legendary Stephen Sondheim and book by American playwright James Lapine, has become a staple on North American stages. Its appeal is clearly linked to an ingenious amalgamation of familiar characters from classic fairy tales like Cinderella, Little Red Riding Hood and Jack and the Beanstalk. Their stories are utilised to deliver a universal message that boils down to “be careful what you wish for”. Koerner Hall has assembled a cast which includes the crème de la crème of Canadian musical theatre in a smartly-staged production by Richard…

Holly Chaplin in the title role of Toronto Operetta Theatre's Countess Maritza. Photo: Gary Beechey

Review | Toronto Operetta Theatre’s Marvellous Countess Maritza

By Gianmarco Segato on 30 December 2024 Concert Reviews, Opera, Toronto, Vocal

As is their tradition, Toronto Operetta Theatre livens up the in-between-Christmas-to-New Year lull with an annual production of a classic, golden age operetta. This year, it’s Hungarian composer Imre Kálmán’s Countess Maritza with its non-stop succession of great tunes and authentic czardas-infused rhythms. TOT can always be relied on to present some of the best young Canadian talent and this was certainly no exception at Dec. 29th’s opening performance. A Maritza that moves TOT’s General Director, Guillermo Silva-Marin is also the show’s stage director and he does a lot with comparatively modest means. Maritza’s country mansion is appropriately decorated with…

Photo: Busoni. Library of Congress, Washington, D.C. (Digital File Number: cph 3c26592)

Lebrecht Weekly | Busoni’s Centenary: Recordings of Piano Works and Doctor Faust

By Norman Lebrecht on 27 December 2024 CD and Book Reviews, Lebrecht Weekly

What’s the point in having a centenary if it doesn’t restore a reputation? A hundred years have passed since the German-Italian Busoni died in Berlin and, while we’ve heard his massive piano concerto in concerthalls during 1924, nothing much else has happened to change the general perception that Busoni was a formidable pianist with great ideas that did not necessarily translate into music of lasting value. Two albums of piano works reinforce that image. The German pianist Wolf Harden has reached volume 13 in his Naxos trawl of the complete works. While awed by his persistence and dedication, I find…

Rose Naggar-Tremblay, contralto soloist in ArtChoral's Messiah. Photo: TamPhotography

Review | ArtChoral’s Messiah Preserves its Original Freshness

By Heather Weinreb on 24 December 2024 Baroque and Early, Choral, Concert Reviews, Montreal

Every holiday season, Handel’s Messiah comes to town. Not once, not twice, but many times. With all the options, how can an audience member decide which one to choose? On Dec. 22, ArtChoral and Ensemble Caprice delivered an inspiring performance of Handel’s Messiah. It seems that Juno award-winning conductor Matthias Maute takes avid delight in showcasing how old works can always sound new, so long as they are performed with technical precision, intentionality, and a lot of joyful energy. When Messiah season comes around next year, audiences would do well to consider ArtChoral’s version. What you missed? A Baroque oratorio,…

Magali Simard-Galdès & Olivier Bergeron with OSL. Photo: Gabriel Fournier

Review | Orchestre symphonique de Laval’s Holiday Program is in Tune with the Season

By Heather Weinreb on 23 December 2024 Concert Reviews, Montreal, Orchestral, Vocal

Putting on a Christmas concert is a challenge. The concert must feature enough time-worn classics to foster the holiday spirit; at the same time, every holiday concert strives to be fresh, even innovative. We don’t want to be fed the same “Jingle Bells” year after year, but we do want to hear music we recognize. On Dec. 18, Orchestre symphonique de Laval’s holiday concert offered many Christmas classics, from Leroy Andersen’s Christmas Festival to the beloved English carol, The Twelve Days of Christmas. But the concert also featured music by Georges Bizet and Gabriel Fauré that, while very melodious, is…

Previous 1 2 3 4 5 … 150 Next

Current Issue

PDF HTML

Next Issue : April/May

Ad Deadline : March 21, 2025

Past Issues, Subscriptions, Advertising